Wooden Dimensions project
In old China an artwork was kept in a safe place and it was only shown on special occasions.
Because the artwork was only viewed once in while, it kept it’s capacity to trigger a refreshing experience. This idea appealed to Rudolf Boogerman, and as such, it became the foundation of the Wooden Dimensions Project.
The artist also wants to question the well known taboo that art shouldn’t be touched.
Especially for three dimensional art, it’s an important part of the experience to feel an artwork. Since the visitor can play around with the doors, it is possible to change the look of the artwork.
“We take light for granted while we forget about shadow.
Nothing exists without the positive and the negative.”
On the right, you find examples of the Wooden Dimensions project.